The writing and images in this project come out of my experiences and thoughts during my trip to Leros, Greece in 2024. These pieces were written as a part of a writing portfolio for an ethnographic writing graduate course. They are informed by my own knowledge of the island’s history, as well as in conversation with Eirini Avramopoulou’s article from the Journal of Modern Greek Studies (Volume 38, Number 2, October 2020) titled “Decolonizing the Refugee Crisis: Palimpsestous Writing, Being-in-Waiting, and Spaces of Refuge on the Greek Island of Leros”. As I am in the early stages of working towards my doctoral research, I am using this space to consider the island of Leros as one of local/migrant encounter, ten years after the so-called refugee crisis.

Λέρος μεσ’ την καρδιά, ω Λέρος, ένα κρύο μέρος…

Leros in my heart, a cold place

The song echoes through my mind as we wind through narrow rural roads, up the mountains and along the sea. I’ve grown up with this song, I’ve heard it hundreds of times. Dad wrote it for all those who were sent here, never to return home. 

Leros is a small Greek island of the Dodecanese, one of the twelve islands close to Turkey. Its dry, rugged mountains meet crystal blue waters. A few kilometres out from the village of Lakki, which was once the base for Italian Fascists during World War II, sits the former Leros Psychiatric Hospital. Its dilapidated exterior looms over the sea. I’m here on vacation, but I have to visit the hospital. 

As we pull up through the gates and drive down the winding roads, I imagine what it would be like to be living in such an isolated place. It was first opened as a psychiatric hospital in the late 1950s, and was officially named the Colony for Psychopaths. Psychiatric and handicapped individuals were sent here and forgotten by their families on the mainland. During the military dictatorship of 1967-1973, political dissidents were also exiled to this place. More recently though, the space directly in front of the hospital served as a hotspot for migrants during the 2015 so-called refugee crisis. 

We park the car and I step out, surrounded by silence except for the buzzing of cicadas in the summer heat. A warm breeze blows some forgotten sheets hanging from one of the windows of the hospital. It’s so quiet and empty, but somehow the weight of those who have passed through here still lingers. We walk up the steps to the entrance of the hospital and look down over the makeshift refugee camp before us. On the mountain directly above, the newly opened Closed Controlled Access Centre functions to keep recently arrived migrants even further isolated from locals and tourists. This place has been a prison for so many. 

Graffiti covers the walls both inside and out, in a mix of Greek, English and Arabic. On the concrete wall across from the main building, in faded spray paint, someone has written “Immigrants In - Fascists Out”.  

All along the grounds socks, shoes and other items of clothing litter the fences and steps. Who were these people that lived here? What remains of them? Over the years, people were confined within these walls, for different reasons, but it has always served as a sort of prison. 

I take a few moments to sit in the silence. In the distance, I can hear the hum of an electric scooter getting closer and closer. It sounds like it’s coming toward us. A man wearing a t-shirt that says “Security” rides up to us on the scooter. 

“What are you doing here? Don’t go inside, the building is not safe”, he says. 

We tell him we’re here to look around. I think he’s come to make sure we’re not journalists or squatters. Even though it’s abandoned, it’s still patrolled, still under surveillance. Not many people know about this place, not even those in Greece. Greece likes to hide their darkest parts of history from the national imaginary. 

“Fine, don’t stay too long though. You better not be here when I come back around in ten minutes”, he says with suspicion in his eyes. 

As soon as he drives off, I walk up the steps and take out the marker I have in my pocket. 

Λέρος μεσ’ την καρδιά

ένα κρύο μέρος

Δεν σας ξεχνάμε.

Leros in my heart

A cold place

We won’t forget you. 

Dad’s song brought me here. As I write on the wall, I am filled with emotion. For those who were brought and left here to be forgotten by those close to them, but also forgotten in history. 

1960

They say I’m not well,

That I’m here to get better. 

How long will I be here? 

Will I ever go home?

My arms, my feet

Strapped down to the bed.

Women in white 

Come in and out of the room

Poking

Prodding

my skin. 

Others are wheeled in

Some are wheeled out

All are strapped in

By the arms, by the feet

A singular window sits high above us

Is it raining? 

Is it sunny?

Is it warm?

Is it cool?

Rows of beds

Line the room

Some lie quietly

Staring at the ceiling

Some squirm

And Scream

All of us wondering

How long will I be here?

Will I ever go home?

Three Voices, One Prison

1970

They don’t care about us.

They never cared about us. 

Fascists, all of them!

The irony that they didn’t want the Italians here

During the War

Now they’re doing the exact same thing!

Oppressing us

Silencing us

Killing us

They’ve brought me to this hellhole

To shut me up

2016

The sun is so hot

Sweat beads through my shoulder blades

Down my back

My sister stands beside me

Frozen in place

Eyes staring up at the abandoned building

Where have they brought us?

The line in front

Moves slowly

Guards yell

In a language I don’t understand 

Yesterday, we were on a small boat in the middle of the sea

Last night, our boat was stopped

Blue lights flashed on the water

One by one

They picked us up off the boat and lined us up into theirs

And brought us here

Where we’ve been waiting

For twelve hours

They hand us water bottles

As they patrol up and down the line

Large guns strapped across their bodies 

I come face to face with the guard

Holding the notepad

Look up into his cold, dark eyes

Like me,

He speaks broken English

“Why have you come to Greece?” 

Next
Next

Project: Subaltern Voices | Migration Politicized